The Alembic

Authors

Subject Area

Humanities

Description

The Alembic 2015. Full issue, 193 pages in total including frontmatter & table of contents.

Table of Contents:

FICTION

  • Barefoot Princesses, Jennifer Cyr, 4
  • My GPS, My Love, Walter B. Levis, 19
  • Rejection, Sten Spinella, 28
  • Kamaloca, Stephen Jarrett, 47
  • Blinded by the Sight, Diana Vlavianos, 74
  • Choice, Blake Kilgore, 102
  • Four-and-a-Half Feet, Neal Mercier, 121
  • The Village, Collin Anderson, 133
  • Purple Petunias, Lee Varon, 159

POETRY

  • Simic, Guy Thorvaldsen, 1
  • Nomad, Catharine Lucas, 2
  • Eileen Marú, Matt Gillick, 3
  • Beams, Laurie Patton, 10
  • Home is a Human Being, William Nawrocki, 11
  • Indecisive, Marissa Como, 14
  • Matrimony, Jason Tandon, 15
  • September, Jason Tandon, 16
  • Listening to Seamus Heaney Read His Translation of Beowulf While at the Gym on the Elliptical Machine Quite Early, A Monday Morning, Helen Wickes, 17
  • Dead Man’s Curve, Eugenie Juliet Theall, 21
  • The Exchange, Elisabeth Murawski, 22
  • Anarchy, Brianna Abbott, 24
  • Wittgenstein’s Horse, Blake Bergeron, 26
  • Fountain, Blake Bergeron, 27
  • Dessert Fork, Judith Thompson, 37
  • A Permanent Numb, Richard King Perkins II, 38
  • Four Flashes After Midnight, Richard King Perkins II, 39
  • Winter is Coming, Sarah Kitterman, 41
  • Recipes, Michael Carrino, 46
  • How Long is the Coast of Britain? Patrick Milian, 61
  • Bursts of Tone, Patrick Milian, 64
  • Kayfabe, Patrick Milian, 66
  • Dear Best Friend, Emily Davey, 68
  • Waiting, Emily Davey, 69
  • *, Simon Perchik, 70
  • Stars, David Sapp, 71
  • Darkness Lost, Donna Pucciani, 72
  • Childhood, Emily Benson Hurley, 92
  • The Suburbs, Emily Benson Hurley, 95
  • Ars Poetica, Judith Grissmer, 96
  • Counterpart, Judith Grissmer, 97
  • About That Study, Stephen R. Roberts, 98
  • Help, I’ve Fallen and I Can’t Get Up!, Austin Harney, 99
  • Choking on Joyful Mysteries, Rosemary Dunn Moeller, 100
  • Duerme Con Los Angeles, Lynn Hoggard, 109
  • Above the All-Night Diner, Jennifer Tappenden, 110
  • Newton’s Law, Maria Costa, 111
  • Captain Birthday Counts the Stars, John Buckley and Martin Ott, 116
  • Bears & Butterflies, Jonathan Greenhause, 118
  • The Wild, Neal Mercier, 119
  • Burning, Branan Durbin, 125
  • Metal Hips, Jill Lynch, 126
  • Museum, Jill Lynch, 127
  • Named By What Was Wanted, Marilyn Ringer, 129
  • It Is Not the Doing That’s Hard, Marilyn Ringer, 130
  • Big Yellow, Marilyn Ryder-Levinson, 131
  • M&M, Brian Ortiz, 147
  • Mouth, Barbara Daniels, 149
  • Broken Brain, Sarah Cardoza, 151
  • The Legend in His Mind, Eileen Henessy, 153
  • Visit to the City, Bruce Bagnell, 154
  • Slow Storm, Stephen Massimilla, 155
  • Uncle Joe’s Roadmaster, Chuck Tripi, 165
  • Disconnected, Sheila Murphy, 166
  • Alone Time, Tom McHugh, 167
  • The Line, Tom McHugh, 168
  • The Shadow Field, Jeffrey C. Alfier, 169
  • San Pedro River Night, Jeffrey C. Alfier, 170

PHOTOGRAPHY

  • Arches, Joan Wyeth, 42
  • Second Chance, Melissa Brown, 42
  • Hump Day, Elizabeth McQueeney, 43
  • Chasing Sunsets, Elizabeth McQueeney, 43
  • La Mime, Heloise Dubois, 44
  • Beachside Serenity, Marisa DelFarno, 45
  • La Gardia, Kelsey Blood, 112
  • Liberation, Giovanna Franciosa, 112
  • Suspense, Alexandra Harbour, 113
  • Tree of Life, Alexandra Harbour, 114
  • Inside Cattedrale Di Sant’ Andrea, Aubrey Moore, 114
  • Lighting Test 1, Jake Hurner, 115

INTERVIEWS

  • Interview with Alison Espach, Sarah A. O’Brien, 32
  • Interview with Peter Covino, Joseph Ciccarello and Cameron Condry, 84

Publisher

Providence College

Date

2015

Type

Article

Format

Text

.pdf (text under image)

Language

English

Rights

© Providence College. The author(s) permits users to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) the users may not alter, transform, or build upon this work; (4) users must make the license terms of this work clearly known for any reuse or distribution of this work. Upon request, as holder of this work’s copyright, the author(s) may waive any or all of these conditions.

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