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Submissions from 2022

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First Person Narration in Postwar British Women’s Fiction, Julia McCoy

Submissions from 2021

Dissecting Madness in Romantic Literature, Mackenzie Fox

Submissions from 2020

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Blake’s Method: Blake Imagining Milton in The Marriage of Heaven and Hell, Micaela Freeman

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Hawthorne’s Faith, Cecelia Little

Submissions from 2014

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Radical Rejections and Sloppy Seconds, Meaghan Dodson

Submissions from 2012

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The Redemptive Act of Reading: Richard Crashaw & the Teresean Liturgy, Alexandra Finn-Atkins

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The Galway Rambler: Anthony Raftery and the Roots of Irish Cultural Identity, Caroline O'Shea

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"An Image Comforting the Mind”: Emotion Theory and Tennyson’s In Memoriam, Melanie Pavao

Submissions from 2011

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“Romanticism in T.S. Eliot’s Early Poetry: Music and Words”, Abby Ang

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Lines of Communication: Uncovering War’s Reality through Fictional Styles, Kelly Hoarty

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Fulfillment of Woman and Poet in Elizabeth Barrett Brown's Aurora Leigh, Beth Leonardo

Submissions from 2010

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Wordsworth and Milton: The Prelude and Paradise Lost, Colin McCormack

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The James Brothers and the Tragic Beauty of Individualism, Corey Plante

Submissions from 2009

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The Triumphant Tragedy of King Lear, Erin Lamontage