Submissions from 2022
Destination, "The True Country:" The Significance of the Journey in Flannery O'Connor's Fiction, Fiona Clarke
First Person Narration in Postwar British Women’s Fiction, Julia McCoy
Submissions from 2021
Dissecting Madness in Romantic Literature, Mackenzie Fox
Submissions from 2020
Blake’s Method: Blake Imagining Milton in The Marriage of Heaven and Hell, Micaela Freeman
Hawthorne’s Faith, Cecelia Little
Submissions from 2014
Radical Rejections and Sloppy Seconds, Meaghan Dodson
Submissions from 2012
The Redemptive Act of Reading: Richard Crashaw & the Teresean Liturgy, Alexandra Finn-Atkins
The Galway Rambler: Anthony Raftery and the Roots of Irish Cultural Identity, Caroline O'Shea
"An Image Comforting the Mind”: Emotion Theory and Tennyson’s In Memoriam, Melanie Pavao
Submissions from 2011
“Romanticism in T.S. Eliot’s Early Poetry: Music and Words”, Abby Ang
Lines of Communication: Uncovering War’s Reality through Fictional Styles, Kelly Hoarty
Fulfillment of Woman and Poet in Elizabeth Barrett Brown's Aurora Leigh, Beth Leonardo
Submissions from 2010
Wordsworth and Milton: The Prelude and Paradise Lost, Colin McCormack
The James Brothers and the Tragic Beauty of Individualism, Corey Plante
Submissions from 2009
The Triumphant Tragedy of King Lear, Erin Lamontage
