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The Alembic
Subject Area
Humanities
Description
Volume 68, Number 1 - Spring 1989. 48 pages including covers and advertisements.
- Kittel, Karen "Cover Photograph"
- Carberry, Marcella "Piano Work"
- Devine, Jeff "Black"
- Ryan, Jeremiah "M.I.A."
- Kittel, Karen "Photograph"
- Pierpoint, David "The Lesson"
- Bronson, Matthew W. "Barn-Blaze"
- Lipoma, John "Marijuana"
- Thomas, Anthony "Photograph"
- O'Keefe, Timothy J. "Note Bene"
- Mizzoni, John "Our Claim"
- Ryan, Kerry Anne "Formal"
- Carberry, Marcella "A Response to the Sub-Urban Coalition of "Mothers of Self-Pity""
- Emery, Allison "Fine Dining"
- Kittel, Karen "Photograph"
- Devine, Jeff "Easter Morning"
- Toole, Robert P. "A Minor Pause"
- Preston, Jennifer "Alliteration"
- Best, Christine "Gloucester Road"
- Barretti, Dina "Corpus, Christi"
- Pierpoint, David "Death Row"
- Daly, Elizabeth "North Station"
- Carberry, Marcella "Photograph"
- Bromson, Matthew W. "Demon in My Piano"
- Gander, Forrest "I Want to Tell You About My Luck"
- Ryan, Jeremiah "a 75 year old $2.00 bottle of wine"
- Emery, Allison "Romantic Interlude on 42nd Street"
- Donohue, Anna K. "Photograph"
- Glover, Krissie "The Hour of Electricity"
- Tinaro, Robert "Photograph"
- Perel, Jane Lunin "Last Light"
- Pierpoint, Davie "Peuter Image"
- Preston, Jennifer "Vivaldi's "Four Seasons""
- Kittel, Karen "Photograph"
- Toole, Robert P. "Concessions in the Night"
- Tata, Michael "Hateful of the Sun"
- Tinaro, Robert "Autumn"
- Donohue, Anna K. "Photograph"
- McCullough, Dan "Pleasant Pond"
- Benison, Christopher "Photograph - Lake District, England"
- Annunziata, Lisa "Parade"
- Tobin, Mark "Psycho-kitten Stomps Out Noise Pollution"
- Matthews, Linda "Photograph - Aldeia Vicosa, Portugal"
Date
Spring 1989
Type
Book
Format
Text
.pdf (text under image)
Language
English
Rights
© Providence College. The author(s) permits users to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) the users may not alter, transform, or build upon this work; (4) users must make the license terms of this work clearly known for any reuse or distribution of this work. Upon request, as holder of this work’s copyright, the author(s) may waive any or all of these conditions.