![The Alembic](../../assets/md5images/eb83512a66ed59fe42745b3e8bf817b1.gif)
The Alembic
Subject Area
Humanities
Description
The Alembic - Spring 2019. 212 pages including covers and advertisements.
Table of Contents:
- Editors Note, 9
Poetry
- Shea, Cathryn, Shawls of the Color Wheel, 10
- Shea, Cathryn, Thought Safe, 12
- Shea, Cathryn, Remnants of Star Death, 13
- Shea, Cathryn, Visa Balaji Temple, 14
- Shea, Cathryn, To Kepler Spacecraft, Not a Man, 15
- Ethridge, Rebecca, St. Martin-in-the-Fields, 24
- Ilechko, Paul, Paper Trail, 28
- Stuart, Jane, Long Lost Waltz No. 9, 39
- Striuli, Micol, The Things We Carry, 40
- Dabrio, Tyara, Motherland, 42
- Thoreen, David, In which Dad Does the Voices..., 44
- Ahern, Ed, Corporate Vision, 66
- Ahern, Ed, Kairos, 67
- Sapp, David, A Keening, 68
- Sapp, David, Dead Raccoon, 69
- Sapp, David, A Good Death, 70
- Sapp, David, Scar, 71
- Sapp, David, The Limb, 72
- Little, Cecelia, Assateague's Life, 74
- Nelms, Sheryl, L., Homeless in New Mexico, 104
- Nelms, Sheryl, L., Hot Is, 105
- Nelms, Sheryl, L., Grey Wolf, 106
- Grey, John, Washington Square, 130
- Perchik, Simon, *, 132
- Perchik, Simon, *, 133
- Raab, Zara, My Name is Hardy, 134
- Johnston, Marilyn, Unfragmented Fact, 139
- Johnston, Marilyn, Heart to Heart, 141
- Johnston, Marilyn,, Being One Year Older than the Age Emily Dickinson Died, 143
- Tiboni, Hope, Ocean, 144
- Parker, Bruce, April Caller, 160
- Parker, Bruce, The Hunters in the Snow, 161
- Parker, Bruce, Spring is Madness, 162
- Perel, Jane Lunin, Cain and Abel, 180
- Perel, Jane Lunin, Cash for Scrap, 181
- Rose, Alexandra, The Perseids, 182
- Rose, Alexandra, momma's fudge brownies, 183
- Rose, Alexandra, Of Gains and Guiles, 184
- Lopez, Eliana, Knock Knocking, 186
- Lopez, Eliana, Come Home, 188
- Lopez, Eliana, I Suppose, 191
- Lopez, Eliana, Darkness, 193
- Lopez, Eliana, Amateur Imagination, 195
Fiction
- Monte, Megan, With Her, 17
- Press, David, The Club, 30
- Brickner, Brianna, The Music Box, 60
- Henriquez, Dawyn, Adonis, 123
- Mello, Meghan, The Art of Self-Reflection - A Message to the Opinionated, 136
- Pack, Jr., Jimmy J., About Facing Freedom With a Little Fear, 145
- Monroe, Rebecca, Are You Going?, 164
Translations
- Nervo, Amado, tr. by Clara Howard, The First Kiss, 50
- Nervo, Amado, tr. by Clara Howard, United, 52
- Nervo, Amado, tr. by Clara Howard, This Book, 54
- Nervo, Amado, tr. by Clara Howard, At Peace, 56
- Nervo, Amado, tr. by Clara Howard, Kindly and Silently, 58
- Hugo, Victor, tr. by Bailey Zimmiti, When a Child Comes, 107
- Hugo, Victor, tr. by Bailey Zimmiti, To My Daughter, Adèle, 113
- Hugo, Victor, tr. by Bailey Zimmiti, She is gay and pensive, 115
- Hugo, Victor, tr. by Bailey Zimmiti, To the Mother Who has Lost a Child, 117
- Hugo, Victor, tr. by Bailey Zimmiti, To the Blind Poet, 121
Prose Poetry
- McLaren, Kincaid, Tender Headed, 26
- Henrique, Dawyn, Harmless Arsonist, 49
- Burke, Maggie, Forward, 129
- Zygiel, Julia, Sand and Sugar, 159
- Venuti, Erin, The Cloud, 163
Interviews
- Interview with Jennifer Malone, 76
- Interview with Thomas Tre G. Gilbert, 82
- Interview with Jennifer Militello, 94
- Interview with Doug Anderson, 100
Book Reviews
- Striuli, Micol, Feel Free, 197
- Bibilos, Elena, When Life Gives you Lululemons, 200
Photography
- Rigaud, Claire, Bioluminescence, 87
- Rigaud, Claire, Fiordland, 88
- Rigaud, Claire, Land of the Long White Cloud, 89
- Rigaud, Claire, Emerald Forest, 89
- Silva, Nikki, Untitled IX, 90
- Silva, Nikki, Untitled VI, 90
- Silva, Nikki, Untitled XI, 91
- D'elia, Olivia, Sydney Harbour Bridge, 92
- D'elia, Olivia, Downtown Sydney, 93
- D'elia, Olivia, Watson's Bay, Sydney, Australia, 93
Contributors' Notes, 203
Meeting the Editors, 209
Publisher
Providence College
Date
Spring 2019
Type
Book
Format
Text
.pdf (text under image)
Language
English
Rights
© Providence College. The author(s) permits users to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) the users may not alter, transform, or build upon this work; (4) users must make the license terms of this work clearly known for any reuse or distribution of this work. Upon request, as holder of this work’s copyright, the author(s) may waive any or all of these conditions.