Subject Area

Literature

Description

This dissertation examines the nature and function of

John Hawkes' comic method. Although most critics acknowledge

that Hawkes writes comedy, very few of them

agree on the moral nature of this comedy. Chapter I

examines these differing responses to Hawkes' work and

offers an alternative way of evaluating his humor, based

on his own and other critics' comments on comedy. This

chapter also suggests that our responses to Hawkes' humor

occur on an uncertain terrain where two or more, sometimes

opposite, reactions to a text clash, forcing us into continuous

moments of indecision.

Chapter II deals with Hawkes' first novel, Charivari,

which is important because in it we find Hawkes experimenting

with comic techniques which he employs in later

novels.

Chapter III explains how comic techniques in The Lime

Twig trap us between our emotional, moral, intellectual,

viand aesthetic concerns for Michael and Margaret Banks and

William Hencher. Comedy forces us to judge these characters’

human failings, though we also sympathize with them

and recognize our own faults in them.

Chapter IV discusses Skipper's contradictory nature in

Second Skin, explaining how comic techniques make us question

his attractive self-portrait and realize his responsibility

for the tragic events in the novel.

Chapter V illustrates what happens to comedy in The

Blood Oranges, Death, Sleep & the Traveler, and Travesty

when we become less concerned with the comedy of character

and action and more interested in the author behind

the trilogy who is playing with language and form.

Chapter VI deals with The Passion Artist and Virginie:

Her Two Lives. In Hawkes' most recent novels the nature

and function of comedy is not always clear because Hawkes

seems to treat seriously the same sexual attitudes and

practices that he ridiculed in previous novels. This

chapter ends by suggesting that Hawkes' comedy is maximized

when, as in The Lime Twig and Second Skin, all of

our concerns—emotional, moral, intellectual, and

aesthetic—are played off each other, so that, as Hawkes

himself says, we are challenged "to know ourselves better

and to live with more compassion."

Publisher

University of New Hampshire

Publication Date

Fall 12-1983

Type

Dissertation

Format

Text

.pdf (text under image)

Language

English

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