The Alembic

Subject Area

Humanities

Description

The Alembic - Spring 2013. Full issue, 258 pages in total including front matter & table of contents.

Table of Contents:

Fiction:

  • Hennessy, Eileen, Flight Patterns, 7
  • Schlack Wittes, Julie., Depth of Field, 17
  • Morgenstern, Erin, I have Heard The Mermaids Singing, 36
  • O’Grady, Thomas, Saving Par, 38
  • Lamarre, Hannah, The Way Out, 52
  • Brown Edward, Ryan, The Date, 76
  • Tilley, Michael, Reunion, 82
  • Braunstein, Sarah, Death of a Parrot, 94
  • O’Brien, Colleen, The Competition, 108
  • Wood, Virginia, In The Snow, 128
  • Brunelle, Corey, Frugality Breeds Contempt, 145
  • Brightney, Kathryn, Becoming Venus, 166
  • Hobbs, C.J, Tom, Johnny, and Me, 178
  • McCoy, Kara, Slide, 188
  • James, Kate, Who’s to Say?, 222
  • Tansey, Chris, Anacostia Avenue, 229

Poetry:

  • McLaughlin, Tara, Throwing Quarters, 10
  • McLaughlin, Tara, Hush, 11
  • McLaughlin, Tara, Clock Radio, 12
  • Souchet L. Melanie, The Dream Lord, 13
  • Holton, Jackleen, Before The Service, 14
  • Holton, Jackleen, Mahalo, 15
  • Orlowsky, Dzvinia, Separate Bodies, 33
  • Orlowsky, Dzvinia, Roses in Their Hands, 34
  • Alvarez Astur, Adrian, July Was No Help, 46
  • Miller, Errol, The Voice At The Edge, 47
  • Koncel A. Mary, Letters to the Husband #15, 63
  • Koncel A. Mary, Letters to the Husband #23, 64
  • Busch, Trent, Of Which We Know, 73
  • Wood, Alyssa, New York City, 74
  • Brown Edward, Ryan, Flavored By Onions, 75
  • Emerson L. Donna, If They Do Not, 78
  • Perel Lunin, Jane, Snake Suicide, 79
  • White, Meredith, Chilly Evening, 80
  • Tramonte, Barbara, It’s Tricky to Think of someone You Love as Dead, 81
  • Moon, Shinji, Shipwreck, 90
  • Mooradd, Catherine, You Ask It, 92
  • Niditch, B.Z., In Brooklyn, 101
  • Gumbrecht, Stephen, Vagabondage, 102
  • Gumbrecht, Stephen, The Cheese-miners of Moonbase Alpha on Valentine’s Day, 103
  • Mishler, Peter, Imago, 104
  • Mishler, Peter, No Staircase, 106
  • Daniels, Jim, Hair on Fire, 113
  • Poirier, Hannah, Smudge, 114
  • Belair, Mark, The Drop, 115
  • McKernan, John, This, 124
  • Mckernan, John, All-Time Favorite Horoscopes, 125
  • Mack, Jesse, Spool, 126
  • Mack, Jesse, Mystic’s Dishes, 127
  • Brown, Amanda, Subway Strangers, 137
  • Richey, Aubrey, Characters, 162
  • Richey, Aubrey, The Worst Thing, 163
  • Spireng, Matthew J., What a Nice Day, 164
  • Spireng, Matthew J., Sunrise, Head of the Meadow beach, Cape Cod, 165
  • Centrella, Amanda, Acquaintance, 176
  • Sciotti, Mason, Silhouette, 177
  • Moore, Celeste, Parenthesis Unbound, 186
  • Kravetz, Christine, Garden Variety, 187
  • Jaeger, Lowell, Bull-Headed, 208
  • Rhodes, Dennis, Christmas Eve, 210
  • Rhodes, Dennis, Lines From Poet to Journalist, 211
  • Auerbach, Carl, Clarity, 219
  • Pucciani, Donna, Thumbs Tricks, 220
  • Lynch, Jill, How to Make a Radio From a Dragon, 243
  • Lynch, Jill, Hands, 244
  • O’Brien, Sarah, Him, 246

Interviews:

  • Smith, Justin, Bridget Toland, Lauren, Silveria, A Conversation With Peter Johnson, 48
  • Cody, Thomas., A Conversation With Lori Ostlund, 116
  • Gillick, Matt, Hope Goslin, Meghan Killian, A Conversation With Dennis Rhodes, 212

Photography:

  • Farrell, Carey, I Have Heard The Mermaids Singing, 36
  • Hobbs, C.J., Abandoned, Suburban, and Urban Rochester, 65
  • Hobbs, C.J., Freedom Tunnel, 66
  • Egan, Kaitlin, Eric in the Mirror, 68
  • Gavry, Zachary T., Venetian Muse, 70
  • Egan, Kaitlin, Guide, 72
  • McLean, Mary Beth, Vestige, 137
  • McLean, Mary Beth, Odyssey, 138
  • Jennings, Eddie, Ready, Set, 140
  • Bruno, Sarah, Masque. 142
  • Foresti, Alessandra, ALEM at Sunset, 142
  • Bruno, Sarah, La Sedia Rossa, 143
  • McLean, Mary Beth, Venture, 144

Contributors, 247

Publisher

Providence College

Date

Spring 2013

Type

Book

Format

Text

.pdf(text Under image)

Language

English

Rights

© Providence College. The author(s) permits users to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) the users may not alter, transform, or build upon this work; (4) users must make the license terms of this work clearly known for any reuse or distribution of this work. Upon request, as holder of this work’s copyright, the author(s) may waive any or all of these conditions.

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